Boukakra, DjihaneBekakra, Tahani2022-10-102022-10-102022http://hdl.handle.net/123456789/13591Women and femininity in general in Freudian Psychoanalysis specially in the Oedipus Complex are obviously getting reduced to an inferior degree if compared to Man. At the pre-Oedipial stages the boy and the girl are considered as the same and the only difference between the mis the presence of the Penis in the boy's body and its lack in the girl's body.The binary system that Psychoanalysis rely on to study the growth, identity an sexuality of the male and the female makes it unfair because it is based on a completely male model where women are not considered as an indepent sex by itself but as the inferior castrated version of men, so the phallus is what makes men superior to women. This conclusion about sexes and self-value norm is the main factor that leads to the reproduction of patriarchy. The conclusion made by Psychoanalysis about women was recieved a high amount of criticism from Feminits such as Luce Irigaray who is famous for her criticism to psychoanalysis concerning the point of sameness between the feminine and the musculine sexes and her calling for sexual difference rather sexual neutrality. Oedipus Complex is highly criticised by the two philosophers Gilles Deleuze and Félix Guattari, they offers a new philosophies and concepts that are oppositional to the Oedipial thinking and call for thinking about woman beyond the oedipial thinking. The most important concept of them and the main one that i used to work with in my thesis is ''Becoming'', this concept is very useful for feminists since it offers a new way of thought for them. Feminism that contains a Deleuzian way of thought is a Deleuzian Feminism. The most famous feminist who inspired by the Deleuzian Feminism is Rosi Braidotti who developped the notion of subjectivity of the woman to a Nomadic Subjectivity which means the continual changing and transformation.enPsychoanalysisDeleuzian FeminismNomadic SubjectivityDeleuzian becoming and nomadic subjectivity in bharati mukherjee’s JasmineOther